The Forgotten Canon: Why the EOS 650 Film Camera Deserves Another Look by Brendan Kragel
There are easier ways to photograph fast-moving subjects on film than using Canon’s first EOS camera. That’s probably part of why I wanted to do it...
Kodak Charmera Millennium Review: A Keychain Camera with Retro Charm
Sometimes you need a little reminder that photography is supposed to be fun. The Kodak Charmera is 100% that reminder...
3 More Point-and-Shoot Film Cameras to Add to Your Collection by Katya Rowny
When I started shooting film years ago, using different cameras became a slippery slope for me. From using manual focus lenses, to understanding...
Mr. Negative Film Review: Same Same But Different 400 by Raufan Yusup
Film prices keep climbing these days, so I feel like even a little support for the community matters. It’s been exciting to see more makers, both cameras...
Every Film Ever: An Interview with Lenny Alvarez
How many different film stocks have existed throughout the years? The answer is probably far more than you’d expect...
Capturing Time: Review of the Zero Image Pinhole Camera by Taylor Blanchard
I have a few cameras that feel like an extension of me: cameras that produce images that most reflect who I am and help me creatively express my ideas...
Photographing Concerts and Live Events on Film by Angela Izzo
Photographing a live event feels as though I've been transported back to the very place where my love for photography first took root—somewhere between the music...
A Keyring Camera That’s Not Digital. Try the Baby Holga! by Alec Pain
I recently purchased a digital keychain/keyring made by Holga. It’s similar to the Kodak Charmera, only it’s been beautifully designed to replicate...
Point & Shoot Camera Roundup: 3 Film Cameras Worth Checking Out by Katya Rowny
Over the past few years, we have had an influx of new film cameras arrive on the scene (talk about an oxymoron!). From the half-frame Pentax 17...
The Last Two Frames: Finding a 70-Year-Old Roll of Film in a Vintage Camera by Artem Feofilov
Despite the epigraph, we have mixed feelings towards Paris. We came here in August 2011 because I’ve got a contract with Sorbonne, and the first acquaintance was a disaster...
Shoot It With Film on Instagram
