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Fuji Pro 400h Overview: Fuji Pro 400H is a highly versatile film that commonly produces soft, neutral, pastel colors. It’s classic pastel look and professional grade makes it a favorite for wedding and portrait photographers.
This film is very light hungry, and does best rated at 200, or even 100, in good light. You can pick up some Fujifilm Pro 400h on Amazon here: Fuji Pro 400h in 35mm or 120
Keep scrolling for the full Fujifilm Pro 400H review!
I feel like when you think of film photography, most film shooters will probably think of an image shot on Fuji Pro 400H with it’s beautiful greens and pastel tones.
You’ve probably seen some amazing wedding images captured on this film stock!
When I first started falling in love with film, Fuji Pro 400H was my main squeeze. We were like peanut butter and jelly, better together.
The Look of Fuji 400H
Fuji 400H is most known for it’s stunning soft and pastel look when it is overexposed. It’s a high-speed, daylight-balanced color film stock with fine grain.
It produces vivid colors with a soft contrast, and, compared to a film like Kodak Portra 400, it has a cooler toned appearance. Fuji Pro 400H is a professional film stock and comes in both 120 and 35mm.
Now, this is totally a personal preference and you can shoot this film stock however you’d like, but I find Fuji 400H really shines when it is overexposed and rated at 200 ISO.
Overexposing this film is really where those beautiful colors come out. This film loves light!
I have shot this film at 200, 400, and 800 ISO, and the higher up your ISO goes, the less vibrant the film looks.
If you’re going for a more toned down and muted appearance in your images (which I see a lot of in street photography), you might want to try rating your film at box speed.
Where Fuji 400H Shines
One of my favorite aspects of this film is the way it makes greens look. There is no yellow or muddy tint to them. The greens always look fresh and vibrant without being too overly saturated.
For this reason, it is the perfect film stock to shoot in open fields and even when the sun is setting.
I’ve had people stand directly on grass during harsh sunlight, and I’ve never had an issue of a green cast on their faces that is so common. Film truly is magical.
Where It Struggles
An area where Fuji Pro 400H struggles is the fact that it’s incredibly light hungry. Even when I’ve overexposed the film stock, if I’m in a location where there isn’t a ton of light, my images can sometimes come out looking slightly muddy.
Therefore, I personally don’t recommend shooting this film stock indoors or pushing the film, since it loves light and looks best when shooting with a lot of sun.