Transitioning to Film for Client Sessions by Amy Berge
Having been born in the early ‘80s means I spent a good chunk of my formative years shooting on film cameras. I still remember the very first digital camera I...
Scanning Film Negatives with a DSLR by Amy Berge
I am fortunate enough that I have a Noritsu LS-600 (read: super swanky scanner) for my 35mm film. It can take in and scan an entire roll at once, is...
Diana Mini Camera Review by Amy Berge
I shoot film exclusively, so you already know I’m a glutton for punishment. But add in my love for the Diana Mini, an overpriced 35mm plastic camera that breaks a...
Hack Your DX Code! by Amy Berge
I am the proud owner of two point and shoot film cameras, an Olympus Stylus Epic (also known as the Mju II in Europe) and the Yashica T4 Super. The...
Your Self-Developing Questions Answered! by Amy Berge
When I started self-developing my film I had so many questions, not just about the development process (which you can read about here for b&w film and here for color...
How to Create Light Leaks on Film by Amy Berge
I love light leaks so much that they’ve become a regular part of my work, both for personal work and for paid clients. Similar to grain, light leaks add depth,...
Understanding Pushing Film by Amy Berge
Links to sites such as Amazon, Adorama, or KEH Camera may contain affiliate links to help support the site. If you like what we’re doing & want an easy way...
Using Photomerge to Create Epic Lanscapes by Amy Berge
Links to sites such as Amazon, Adorama, or KEH Camera may contain affiliate links to help support the site. If you like what we’re doing & want an easy way...
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