Amber D400 Review: A Moody, Cinematic Film from Reto
Red, there's something about this color that makes things a bit more sexy. Photographers often achieve this by using gels over flash or changing the light itself to red...
The Downland Project: A Photo Essay by Tobias Key
We often don’t appreciate what is on our own doorstep. Photographers are often guilty of thinking they have to travel far afield to create interesting images...
LomoChrome Turquoise Review & How to Shoot This Experimental Film from Lomography by Sara Johansen
I love a good experimental film, with one of my favorites being LomoChrome Purple from Lomography. When Lomography announced they would be bringing back LomoChrome Turquoise...
Spiaggia Libera Photo Series by Malaury Buis
Spiaggia Libera: A collection entirely shot on expired film about a one-of-a-kind beach in the Gulf of Naples, Italy. This beach used to be the greatest port...
What is Zone Focusing and How to Use It for Street Photography by Neil Milton
Making street photography with a manual focus camera can present several challenges our autofocus-wielding friends won't face...
What is Freelensing Photography? A Complete Guide by Amy Elizabeth
The art of freelensing is one that is useful to have in any photographer’s toolbox. Knowing how to use your lenses off your camera will expand...
Lake Geneva Travel Essay by Raphaël Knecht
My name is Raphaël, and I am from France. I started photography in 2017 with my wife’s digital DSLR (and haven't given it back her yet...
Understanding Reciprocal Exposures and the Exposure Triangle by Jen Golay
I remember when I was younger being very intimidated by all of the numbers, and strange numbers at that—2.8, 5.6, 11—on the lens and dials of SLR cameras...
Australia Travel Story by Mathieu Meynard
I started film photography almost two years ago. Like most people, I started with 35mm film. After one and half years shooting with this format...
The World of Infrared and Red-Sensitive Black and White Film by Taylor Blanchard
Last summer, I came up with the idea to shoot every film stock in the Ilford lineup. That’s when I realized I’d never shot Ilford SFX, which is sensitive to the infrared...












